Ansel Adams has often been looked upon as the master of black-and-white landscape photography. Yet this longstanding status as guru of the craft has not been without its manifold critics.

This Wall Street Journal article highlights a new exhibition “Ansel Adams in Our Time” at the Museum of Fine Arts, Boston, which seeks to bring new understanding to the old virtuoso (1902-1984), especially in comparing and contrasting more modern artists.

I’d love to peruse this exhibit.